I’m starting to look on P&W with more than a touch of whimsy these days. Maybe that’s because I’ve grown as a writer, or maybe I’ve grown more ornery as I’ve aged. Still, much of what the mag has to offer makes me smile crookedly where it used to inform. Of course, P&W is still a valuable magazine to students of writing as well as those just now jumping into writerly waters on their own.
This issue of the mag has newsy things, and advice from agents and editors. It has an inspiring piece about three writers who darn near gave up on the craft – but didn’t.
Nate Pritts talks about the role of sentiment in writing – this in perhaps the most cynical of ages. Sentiment in his view is something he calls “refined feeling,” something that appears when we pare our feelings down to the point where they can have communicative expression.
And reading about Amy Einhorn is a breath of fresh air; here’s an editor who looks askance at MFA credentials. Who reads the manuscript first, rather than trying to parse one’s “platform.” Who believes in a writer’s unique voice.
But I have to ask, upon seeing the cover piece about writers who have to escape to Alaskan fijords to write, who have to go to Antartica, for crying out loud, why it’s so hard for these folks to write. Maybe they’re trying on the wrong profession. I certainly did, prior to finding the craft of writing.
There’s much more, as always, so if you subscribe, use the magazine to your best benefit. If you’re not and you have doubts about the various aspects of your own writing, it might make sense to check this fine magazine out.