Literature is rarely taught or even thought of as a socio-political device, but it often is, has been since Homer. The best writers are the best, most legitimate observers of society, and Cormac McCarthy has been the best of both in recent years of these United States. In his novel, Child of God (click for a previous review), he grapples with the consequences of generations of abject Southern poverty, a poverty from which there seems no escape. As these generations of the poor wear on, violence becomes the overwhelming consequence, the only escape from servile humiliation.
What’s the answer to such lives? McCarthy, correctly, doesn’t say; that’s not the novelist’s responsibility. His responsibility is only to pose the problem.