Consultation No. 3 – With John Steinbeck

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Here we are up to our ankles in yet another imagined conversation with an American writer whose work has been, and continues to be, acclaimed for the passion of his characters, even when he leaves them subject on occasion to a side-splitting, acerbic humor. Charley, Steinbeck’s dog,  has been dead some forty years on the date of this interview, and I thought it prudent to put that sad thought to rest early.

GF: First, sir, even as I express my gratefulness for your agreeing to this interview, you have our deepest sympathies. You have left Charley to us all for posterity.

JS: With a sad look toward his scuffed shoes – “Thank you. He was a dear friend and companion.”

GF: Some of your larger work is rightly accepted into the American literary canon, but I’m curious: you’ve written so many novellas, these largely eluding such recognition. Why?

JS: It’s one thing to have your work accepted for literary reasons, but to have Of Mice and Men and The Grapes of Wrath vilified by lowbrow politicians, and by doing so to excoriate me and my views of American life, is the cheapest of shots. Do you think I gained the personal popularity of writers such as Twain by my literary efforts? No! I was considered a subhuman being by politicians and the press because I professed to be a socialist, even a communist, and so – to answer your question – the novellas were relatively easy writes. I had to do them, for money to live on.

GF: After all these years, do you regret writing so many short novels?

JS: “Of course not. Not every long-winded novelist can compress the essence of a novel into two hundred pages.” Another look to his shoes. “The money, as I said. Besides, men don’t read enough; they don’t have the patience with story that women do. I wanted men to read more.”

GF: You were the best, in my opinion, at writing with such mood. You didn’t have to argue politics or social situation in your books; you let your characters speak their sadness and despair, their woundedness, even as they left your readers with hope.

JS: That hope, it’s the only thing that keeps this country going. We always believe things will be better tomorrow. We always look the other way at slavery, abusive labor, cheap wages, genocide of America’s first people, the raping of the land, and countless wars in hoping that something good will come of it all. And this hope you speak of: money, not human values, underscores it all.

GF: All right. But can you leave us with something of a positive note?

JS: With an incredulous look, he says, “But I have. My novels. The essays, the novellas, from A Cup of Gold to Cannery Row, should  continue to speak to generations of young readers who want desperately not to leave their enthusiasm and idealism behind in their pursuit of a decent life.

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