Dangerous But Beautiful

If you’re a writer, has your writing seemed milk-toasty at times? Or if you’re a reader, has a book disappointed because it is, well, milk-toasty? Then if you have access to the January/February issue of Poets&Writers, Jan/Feb 2016, turn to Tom Spanbauer’s essay, Dangerous Writing. I’ll leave it to you to discover from his essay […]

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Losing Faith in Democracy

Democracy In Retreat:The Revolt of the Middle Class and the Worldwide Decline of Representative Government, by Joshua Kurlantzick This is more of a treatise than a piece of literary nonfiction, and as with most such pieces of writing, the overlong title virtually tells the story. The author has done an admirable job of collecting data […]

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Poverty and Violence

Literature is rarely taught or even thought of as a socio-political device, but it often is, has been since Homer. The best writers are the best, most legitimate observers of society, and Cormac McCarthy has been the best of both in recent years of these United States. In his novel, Child of God (click for a […]

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Find Truth, Tell It

  With today’s media having been gobbled up by bottom-line-must-be-in-the black types, it’s hard for the book game to cultivate writers, and so we must do it ourselves. As I implied in this early post, writers have always found it hard to comment on their various societies, their foibles, their fledgling promise. We feel the […]

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Good Fortune in Dystopia

    I’m truly fortunate in being able to keep writing and in having my work published. This Saturday, March 15, 2014, a dystopian novella of mine will be launched as an e-book. The name? We Are Strong, But We Are Fragile. It’s something of a fable, a cautionary tale, set in the Blue Ridge […]

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You Can Go Home Again

The Black House, by Peter May The twentieth century saw many people leave the land of their roots for what seemed more opportunity in the growing, vital urban areas. And many of these discovered that this move didn’t allow new roots and a new culture; instead it left them emotionally adrift. Peter May embraces this […]

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