There’s been a lot said and written in past years – particularly since the advent of tweets, blog posts, and e-mail – about the value of snippet reading. It’s a great way to amass information, they say. But let me work the other side of the fence for a moment. Yes, those snippets will allow […]Read More Reading Makes You Smarter?
If you’re a writer, has your writing seemed milk-toasty at times? Or if you’re a reader, has a book disappointed because it is, well, milk-toasty? Then if you have access to the January/February issue of Poets&Writers, Jan/Feb 2016, turn to Tom Spanbauer’s essay, Dangerous Writing. I’ll leave it to you to discover from his essay […]Read More Dangerous But Beautiful
Literature is rarely taught or even thought of as a socio-political device, but it often is, has been since Homer. The best writers are the best, most legitimate observers of society, and Cormac McCarthy has been the best of both in recent years of these United States. In his novel, Child of God (click for a […]Read More Poverty and Violence
With today’s media having been gobbled up by bottom-line-must-be-in-the black types, it’s hard for the book game to cultivate writers, and so we must do it ourselves. As I implied in this early post, writers have always found it hard to comment on their various societies, their foibles, their fledgling promise. We feel the […]Read More Find Truth, Tell It
I’m truly fortunate in being able to keep writing and in having my work published. This Saturday, March 15, 2014, a dystopian novella of mine will be launched as an e-book. The name? We Are Strong, But We Are Fragile. It’s something of a fable, a cautionary tale, set in the Blue Ridge […]Read More Good Fortune in Dystopia
The article linked below is one all writers should read, and it’s one that certainly speaks to me. I’ve spent years lost in the woods (read: another career) while writing virtually nothing. But what I subsequently discovered is that those woods did indeed leave me with much soil from which stories might grow. […]Read More ‘I Don’t Believe In Writer’s Block’/The Atlantic
The Writer’s Chronicle, March April, 2014 Sometimes the lessons writers learn keep coming back, ever new. In Sarah Ann Johnson’s interview with Richard Bausch, he tends to pan manuscript workshopping as a sort-of assembly line way of producing writing. Of course, there are ways out of that, one being to respect the writer’s work enough […]Read More Learning Old Lessons Anew